The Grapes of Wrath
The Grapes of Wrath is a novel published in 1939 and written by John Steinbeck, who was awarded the Pulitzer Prize in 1940 and the Nobel Prize for Literature in 1962. Set during the Great Depression, the novel focuses on a poor family of sharecroppers, the Joads, driven from their Oklahoma home by drought, economic hardship, and changes in the agriculture industry. In a nearly hopeless situation, partly because they were trapped in the Dust Bowl, they set out for California along with thousands of other "Okies" in search of land, jobs and dignity. When preparing to write the novel, Steinbeck wrote: "I want to put a tag of shame on the greedy bastards who are responsible for this [the Great Depression and its effects]." The book won Steinbeck a large following amongst ordinary people and the working class, partly due to the book's sympathy to the worker's movement and its accessible style.[1]
The Grapes of Wrath is frequently read in American high school and college literature classes. A celebrated Hollywood film version, starring Henry Fonda and directed by John Ford, was made in 1940; the endings of the book and the movie differ greatly.
Plot
The narrative begins just after Tom Joad is paroled from prison for homicide. On his journey home, he meets former preacher Jim Casy whom he remembers from his childhood, and the two travel together. When they arrive at his childhood farm home, they find it deserted. Disconcerted and confused, he and Casy meet their old neighbor, Muley Graves, who tells them that the family has gone to stay at Uncle John Joad's home nearby. He goes on to tell them that the banks have kicked all the farmers off their land, but he refuses to go. Tom and Casy get up the next morning to go to Uncle John's. There, Tom finds his family loading a converted Hudson truck with what remains of their possessions; the crops were destroyed in the Dust Bowl and as a result, the family had to default on their loans. With their farm repossessed, the Joads cling to hope, mostly in the form of handbills distributed everywhere in Oklahoma, describing the fruitful country of California and the high pay to be had in that state. The Joads are seduced by this advertising and invest everything they have into the journey. Although leaving Oklahoma would be breaking parole, Tom decides that it is a risk worth taking. Casy joins the family as well.
Going west on Route 66, the Joad family discovers that the road is saturated with other families making the same trek, ensnared by the same promise. In makeshift camps, they hear many stories from others, some coming back from California, and are forced to confront the possibility that their prospects may not be what they hoped. Along the road, Grampa dies and is buried in the camp; Granma dies close to the California state line, both Noah (the eldest Joad son) and Connie (the husband of the pregnant Joad daughter, Rose of Sharon) split from the family; the remaining members, led by Ma, realize they have no choice but to go on, as there is nothing remaining for them in Oklahoma.
Upon arrival, they find little hope of making a decent wage, as there is an oversupply of labor and a lack of rights, and the big corporate farmers are in collusion, while smaller farmers are suffering from collapsing prices. A gleam of hope is presented at Weedpatch Camp, one of the clean, utility-supplied camps operated by the Resettlement Administration, a New Deal agency that has been established to help the migrants, but there is not enough money and space to care for all of the needy. As a Federal facility, the camp is also off-limits to California deputies who constantly harass and provoke the newcomers.
In response to the exploitation of laborers, there are people who attempt for the workers to join unions, including Casy, who had gone to jail to cover for Tom's attack of a deputy. The remaining Joads unknowingly work as strikebreakers on a peach orchard where Casy is involved in a strike that eventually turns violent. Tom Joad witnesses the killing of Casy and kills the attacker, becoming a fugitive. He bids farewell to his mother, promising that no matter where he runs, he will be a tireless advocate for the oppressed. Rose of Sharon's baby is stillborn; however, Ma Joad remains steadfast and forces the family through the bereavement. When the rains arrive, the Joads' dwelling is flooded, and they move to higher ground, where Rose of Sharon breast feeds a man too sick from starvation to eat solid food.
Characters
- Tom Joad — Protagonist of the story; the Joad family's second son, named after his father. Later on, Tom takes leadership of the family even though he is young.
- Ma Joad — matriarch. Practical and warm-spirited, she tries to hold the family together. Her given name is never learned; it is suggested that her maiden name was Hazlett.
- Pa Joad — patriarch, also named Tom. Hardworking sharecropper and family man. Pa loses his place as leader of the family to his wife.
- Uncle John Joad — Older brother of Pa Joad, feels responsible for the death of his young wife years before when he ignored her pleas for a doctor because he thought she just had a stomachache. Filled with guilt, he is prone to binges involving booze and prostitutes.
- Jim Casy — A former preacher who lost his faith after fornicating with willing members of his church numerous times, and from his perception that religion has no solace or answer for the difficulties the people are experiencing. He is a Christ figure and shares his initials with Jesus.
- Al Joad — The second youngest son who cares mainly for cars and girls; looks up to Tom, but begins to find his own way.
- Rose of Sharon Joad Rivers — Childish and dreamy teenage daughter who develops as the novel progresses to become a mature woman. She symbolizes regrowth when she helps the starving stranger (see also Roman Charity, works of art based on the legend of a daughter as wet nurse to her dying father). Pregnant in the beginning of the novel, she delivers a stillborn baby, probably as a result of malnutrition. Her name is pronounced "Rosasharn" by the family.
- Connie Rivers — Rose of Sharon's husband. Young and naive, he is overwhelmed by the responsibilities of marriage and impending fatherhood, and abandons her shortly after arriving in California. He is stated to be 19 years old upon his and Tom's first encounter before leaving for California.
- Noah Joad — The oldest son who is the first to willingly leave the family, choosing to stay by an idyllic river and survive by fishing. Injured at birth, described as "strange", he may have slight learning difficulties or autistic spectrum disorder.
- Grampa Joad — Tom's grandfather who expresses his strong desire to stay in Oklahoma. His full name is given as "William James Joad". Grampa is drugged by his family with "soothin' syrup" to force him to leave but dies shortly after of a stroke.
- Granma Joad — The religious wife of Grampa Joad, she seems to lose the will to live (and consequently dies while crossing the desert) after her husband's death.
- Ruthie Joad — The youngest daughter, age twelve.
- Winfield Joad — The youngest male in the family, aged ten. He and Ruthie are close.
- Muley Graves - A neighbor of the Joads, he is offered to come along to California with them but refuses. Two of the family dogs are left in his care, while the third goes along with the family and Casy(and is killed by a car on the road when they stop for gas).
- Ivy and Sairy Wilson — Kansas folks in a similar predicament, who help attend the death of Grampa and subsequently share the traveling with the Joads as far as the California state line. It is implied Sairy is too ill to carry on.
- Mr. Wainwright — The father of Aggie Wainwright and husband of Mrs. Wainwright. Worries over his daughter who is sixteen and in his words "growed up".
- Mrs. Wainwright — Mother to Aggie Wainwright and wife to Mr. Wainwright. She helps deliver Rose of Sharon's stillborn baby with Ma.
- Aggie Wainwright — Sixteen years of age. Daughter to Mr. and Mrs. Wainwright. Intends to marry Al. Aggie takes care of Ruthie and Winfield when Rose of Sharon goes into labor. She has limited interactions with the other characters. Her real name is Agnes.
- Floyd Knowles — the man at the Hooverville who urges Tom and Casy to join labor organizations. He agitates the police and this results in Casy going to jail.
Development
Title
While writing the novel at his home, 16250 Greenwood Lane, in what is now Monte Sereno, California, Steinbeck had unusual difficulty devising a title. "The Grapes of Wrath", suggested by his wife, Carol Steinbeck, was deemed more suitable than anything the author could come up with. The title is a reference to lyrics from "The Battle Hymn of the Republic", by Julia Ward Howe:
Mine eyes have seen the glory of the coming of the Lord:
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fateful lightning of His terrible swift sword:
His truth is marching on.
These lyrics refer, in turn, to the biblical passage Revelation 14:19-20, an apocalyptic appeal to divine justice and deliverance from oppression in the final judgment.
And the angel thrust in his sickle into the earth, and gathered the vine of the earth, and cast it into the great winepress of the wrath of God. And the winepress was trodden without the city, and blood came out of the winepress, even unto the horse bridles, by the space of a thousand and six hundred furlongs.
The phrase also appears at the end of chapter 25 in The Grapes of Wrath which describes the purposeful destruction of food to keep the price high:
...and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.
As might be expected, the image invoked by the title serves as a crucial symbol in the development of both the plot and the novel's greater thematic concerns: from the terrible winepress of Dust Bowl oppression will come terrible wrath but also the deliverance of workers through their cooperation, which is hinted at but does not materialize within the novel.
Critical reception
At the time of publication, Steinbeck's novel "was a phenomenon on the scale of a national event. It was publicly banned and burned by citizens, it was debated on national radio hook-ups; but above all, it was read." [2] Steinbeck scholar John Timmerman sums up the book's impact: "The Grapes of Wrath may well be the most thoroughly discussed novel - in criticism, reviews, and college classrooms - of twentieth century American literature." Part of its impact stemmed from its passionate depiction of the plight of the poor, and in fact, many of Steinbeck's contemporaries attacked his social and political views. Bryan Cordyack writes, "Steinbeck was attacked as a propagandist and a socialist from both the left and the right of the political spectrum. The most fervent of these attacks came from the Associated Farmers of California; they were displeased with the book's depiction of California farmers' attitudes and conduct toward the migrants. They denounced the book as a 'pack of lies' and labeled it 'communist propaganda'.[3] However, although Steinbeck was accused of exaggeration of the camp conditions to make a political point, in fact he had done the opposite, underplaying the conditions that he well knew were worse than the novel describes[4] because he felt exact description would have gotten in the way of his story. Furthermore, there are several references to socialist politics and questions which appear in the John Ford film of 1940 which do not appear in the novel, which is less political in its terminology and interests.
In 1962, the Nobel Prize committee cited Grapes of Wrath as a "great work" and as one of the committee's main reasons for granting Steinbeck the Nobel Prize for Literature.[5]
Time Magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005.[6]
In popular culture
Adaptations
1940 film adaptation of The Grapes of Wrath
- A film version was produced by Darryl F. Zanuck in 1940 and directed by John Ford. Ford won the Academy Award for Directing and Jane Darwell won the Academy Award for Best Supporting Actress. The film was also nominated for several other awards: Academy Award for Best Picture, Henry Fonda for Best Actor, Robert L. Simpson for Best Film Editing, Edmund H. Hansen for Best Sound Recording, and Nunnally Johnson for Best Screenplay Writing. It has been selected for preservation in the United States National Film Registry.
- The Steppenwolf Theatre Company produced a stage version of the book, adapted by Frank Galati. Gary Sinise played Tom Joad for its entire run of 188 performances on Broadway in 1990.[7] One of these performances was shown on PBS the following year.[8]
- An opera based on the novel was co-produced by the Minnesota Opera and Utah Symphony and Opera, with music by Ricky Ian Gordon and libretto by Michael Korie. The world premiere performance of the opera was given in February 2007, to favorable local reviews.[9]
Literature
- Tom Joad appears as a background figure in the short story "Tom Joad" by Kim Newman and Eugene Byrne, in part of the short story collection Back in the USSA.
Music
- In 1940, Woody Guthrie recorded a ballad called "Tom Joad". This ballad, set to the tune of "John Hardy", summarizes the plot of the book and movie. It was so long that it had to be recorded in two parts. Guthrie, a native of Oklahoma, wrote the song after seeing the movie, which he described as the "best cussed pitcher I ever seen".
- The Norwegian composer Geirr Tveitt composed a cantata for mezzo-soprano and orchestra called "The Turtle", using an excerpt from The Grapes of Wrath.
- Kris Kristofferson's 1981 single "Here Comes That Rainbow Again" is based on a scene from the book.
- The Grapes of Wrath was a popular Canadian alternative rock band from 1984 to 1994.
- On Pink Floyd's 1987 album A Momentary Lapse of Reason, the opening lines for the song "Sorrow" are paraphrased from the beginning of a chapter in The Grapes of Wrath: "Sweet smell of a great sorrow lies over the land."
- In 1991, the English progressive rock band Camel recorded an album Dust and Dreams inspired by The Grapes of Wrath.
- In 1995, Bruce Springsteen recorded his song "The Ghost of Tom Joad" on the album of the same name. The lyric is set in contemporary times, but the third verse quotes Tom's famous "wherever there's a ..." lines. The song was later recorded by Rage Against The Machine, José González's band Junip, and others. Springsteen has stated that he was first inspired by the John Ford film.
- "Broken Plow", a song on Chris Knight's 2003 album "The Jealous Kind", closely follows the book's plot and captures the feeling of it. In his own words he "basically paraphrased the book."
- The gothic band The Mission recorded on their 1990 album "Carved in Sand" a song "The Grapes of Wrath" dedicated to the story.
References
Notes
- ↑ http://www.greenleft.org.au/node/8555
- ↑ Lisca, Peter (1958). The Wide World of John Steinbeck. Brunswick, NJ: Rutgers University Press
- ↑ Cordyack, Brian. "20th-Century American Bestsellers: John Steinbeck, The Grapes of Wrath". Graduate School of Library and Information Science, University of Illinois, Urbana-Champaign. http://www3.isrl.uiuc.edu/~unsworth/courses/bestsellers/search.cgi?title=The+Grapes+of+Wrath. Retrieved 2007-02-18.
- ↑ Shillinglaw, Susan; Benson, Jackson J (2002-02-02). Of Men and Their Making: The Non-Fiction Of John Steinbeck. London: Penguin. http://books.guardian.co.uk/extracts/story/0,6761,643450,00.html. Retrieved 2008-12-17
- ↑ Osterling, Anders. "Nobel Prize in Literature 1962 - Presentation Speech". http://nobelprize.org/nobel_prizes/literature/laureates/1962/press.html. Retrieved 2007-02-18.
- ↑ "All Time 100 Novels". Time. http://www.time.com/time/2005/100books/. Retrieved 2010-05-25.
- ↑ Internet Broadway Database: The Grapes of Wrath Production Credits
- ↑ The Grapes of Wrath (1991) (TV)
- ↑ Michael Anthony, "'Grapes' is a sweet, juicy production", Minneapolis Star Tribune, 2/12/2007
Bibliography
- Gregory, James N. "Dust Bowl Legacies: the Okie Impact on California, 1939-1989". California History 1989 68(3): 74-85. Issn: 0162-2897
- Saxton, Alexander. "In Dubious Battle: Looking Backward". Pacific Historical Review 2004 73(2): 249-262. Issn: 0030-8684 Fulltext: online at Swetswise, Ingenta, Ebsco
- Sobchack, Vivian C. "The Grapes of Wrath (1940): Thematic Emphasis Through Visual Style". American Quarterly 1979 31(5): 596-615. Issn: 0003-0678 Fulltext: in Jstor. Discusses the visual style of John Ford's cinematic adaptation of the novel. Usually the movie is examined in terms of its literary roots or its social protest. But the imagery of the film reveals the important theme of the Joad family's coherence. The movie shows the family in closeups, cramped in small spaces on a cluttered screen, isolated from the land and their surroundings. Dim lighting helps abstract the Joad family from the reality of Dust Bowl migrants. The film's emotional and aesthetic power comes from its generalized quality attained through this visual style.
- Windschuttle, Keith. "Steinbeck's Myth of the Okies". The New Criterion, Vol. 20, No. 10, June 2002.
- Zirakzadeh, Cyrus Ernesto. "John Steinbeck on the Political Capacities of Everyday Folk: Moms, Reds, and Ma Joad's Revolt". Polity 2004 36(4): 595-618. Issn: 0032-3497
External links
Awards and achievements |
Preceded by
The Yearling
by Marjorie Kinnan Rawlings |
Pulitzer Prize for the Novel
1940 |
Succeeded by
1941: no award given
1942: In This Our Life
by Ellen Glasgow |
Works by John Steinbeck |
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Novels |
Cup of Gold · The Red Pony · To a God Unknown · Tortilla Flat · In Dubious Battle · Of Mice and Men · The Grapes of Wrath · The Moon Is Down · Cannery Row · The Pearl · The Wayward Bus · Burning Bright · East of Eden · Sweet Thursday · The Short Reign of Pippin IV · The Winter of Our Discontent · The Acts of King Arthur and His Noble Knights
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Non-fiction |
The Log from the Sea of Cortez · Bombs Away: The Story of a Bomber Team · A Russian Journal · Once There Was a War · Travels with Charley · Journal of a Novel: The East of Eden Letters · America and Americans
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Short story collections |
The Pastures of Heaven · The Long Valley
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