The Grapes of Wrath

The Grapes of Wrath  
JohnSteinbeck TheGrapesOfWrath.jpg
First edition cover
Author John Steinbeck
Cover artist Elmer Hader
Country United States
Language English
Genre(s) Novel
Publisher The Viking Press-James Lloyd
Publication date 1939
Media type Print (Hardcover and Paperback)
Pages 619
OCLC Number 289946

The Grapes of Wrath is a novel published in 1939 and written by John Steinbeck, who was awarded the Pulitzer Prize in 1940 and the Nobel Prize for Literature in 1962. Set during the Great Depression, the novel focuses on a poor family of sharecroppers, the Joads, driven from their Oklahoma home by drought, economic hardship, and changes in the agriculture industry. In a nearly hopeless situation, partly because they were trapped in the Dust Bowl, they set out for California along with thousands of other "Okies" in search of land, jobs and dignity. When preparing to write the novel, Steinbeck wrote: "I want to put a tag of shame on the greedy bastards who are responsible for this [the Great Depression and its effects]." The book won Steinbeck a large following amongst ordinary people and the working class, partly due to the book's sympathy to the worker's movement and its accessible style.[1]

The Grapes of Wrath is frequently read in American high school and college literature classes. A celebrated Hollywood film version, starring Henry Fonda and directed by John Ford, was made in 1940; the endings of the book and the movie differ greatly.

Contents

Plot

The narrative begins just after Tom Joad is paroled from prison for homicide. On his journey home, he meets former preacher Jim Casy whom he remembers from his childhood, and the two travel together. When they arrive at his childhood farm home, they find it deserted. Disconcerted and confused, he and Casy meet their old neighbor, Muley Graves, who tells them that the family has gone to stay at Uncle John Joad's home nearby. He goes on to tell them that the banks have kicked all the farmers off their land, but he refuses to go. Tom and Casy get up the next morning to go to Uncle John's. There, Tom finds his family loading a converted Hudson truck with what remains of their possessions; the crops were destroyed in the Dust Bowl and as a result, the family had to default on their loans. With their farm repossessed, the Joads cling to hope, mostly in the form of handbills distributed everywhere in Oklahoma, describing the fruitful country of California and the high pay to be had in that state. The Joads are seduced by this advertising and invest everything they have into the journey. Although leaving Oklahoma would be breaking parole, Tom decides that it is a risk worth taking. Casy joins the family as well.

Going west on Route 66, the Joad family discovers that the road is saturated with other families making the same trek, ensnared by the same promise. In makeshift camps, they hear many stories from others, some coming back from California, and are forced to confront the possibility that their prospects may not be what they hoped. Along the road, Grampa dies and is buried in the camp; Granma dies close to the California state line, both Noah (the eldest Joad son) and Connie (the husband of the pregnant Joad daughter, Rose of Sharon) split from the family; the remaining members, led by Ma, realize they have no choice but to go on, as there is nothing remaining for them in Oklahoma.

Upon arrival, they find little hope of making a decent wage, as there is an oversupply of labor and a lack of rights, and the big corporate farmers are in collusion, while smaller farmers are suffering from collapsing prices. A gleam of hope is presented at Weedpatch Camp, one of the clean, utility-supplied camps operated by the Resettlement Administration, a New Deal agency that has been established to help the migrants, but there is not enough money and space to care for all of the needy. As a Federal facility, the camp is also off-limits to California deputies who constantly harass and provoke the newcomers.

In response to the exploitation of laborers, there are people who attempt for the workers to join unions, including Casy, who had gone to jail to cover for Tom's attack of a deputy. The remaining Joads unknowingly work as strikebreakers on a peach orchard where Casy is involved in a strike that eventually turns violent. Tom Joad witnesses the killing of Casy and kills the attacker, becoming a fugitive. He bids farewell to his mother, promising that no matter where he runs, he will be a tireless advocate for the oppressed. Rose of Sharon's baby is stillborn; however, Ma Joad remains steadfast and forces the family through the bereavement. When the rains arrive, the Joads' dwelling is flooded, and they move to higher ground, where Rose of Sharon breast feeds a man too sick from starvation to eat solid food.

Characters

Development

Title

While writing the novel at his home, 16250 Greenwood Lane, in what is now Monte Sereno, California, Steinbeck had unusual difficulty devising a title. "The Grapes of Wrath", suggested by his wife, Carol Steinbeck, was deemed more suitable than anything the author could come up with. The title is a reference to lyrics from "The Battle Hymn of the Republic", by Julia Ward Howe:

Mine eyes have seen the glory of the coming of the Lord:
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fateful lightning of His terrible swift sword:
His truth is marching on.

These lyrics refer, in turn, to the biblical passage Revelation 14:19-20, an apocalyptic appeal to divine justice and deliverance from oppression in the final judgment.

And the angel thrust in his sickle into the earth, and gathered the vine of the earth, and cast it into the great winepress of the wrath of God. And the winepress was trodden without the city, and blood came out of the winepress, even unto the horse bridles, by the space of a thousand and six hundred furlongs.

The phrase also appears at the end of chapter 25 in The Grapes of Wrath which describes the purposeful destruction of food to keep the price high:

...and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.

As might be expected, the image invoked by the title serves as a crucial symbol in the development of both the plot and the novel's greater thematic concerns: from the terrible winepress of Dust Bowl oppression will come terrible wrath but also the deliverance of workers through their cooperation, which is hinted at but does not materialize within the novel.

Critical reception

At the time of publication, Steinbeck's novel "was a phenomenon on the scale of a national event. It was publicly banned and burned by citizens, it was debated on national radio hook-ups; but above all, it was read." [2] Steinbeck scholar John Timmerman sums up the book's impact: "The Grapes of Wrath may well be the most thoroughly discussed novel - in criticism, reviews, and college classrooms - of twentieth century American literature." Part of its impact stemmed from its passionate depiction of the plight of the poor, and in fact, many of Steinbeck's contemporaries attacked his social and political views. Bryan Cordyack writes, "Steinbeck was attacked as a propagandist and a socialist from both the left and the right of the political spectrum. The most fervent of these attacks came from the Associated Farmers of California; they were displeased with the book's depiction of California farmers' attitudes and conduct toward the migrants. They denounced the book as a 'pack of lies' and labeled it 'communist propaganda'.[3] However, although Steinbeck was accused of exaggeration of the camp conditions to make a political point, in fact he had done the opposite, underplaying the conditions that he well knew were worse than the novel describes[4] because he felt exact description would have gotten in the way of his story. Furthermore, there are several references to socialist politics and questions which appear in the John Ford film of 1940 which do not appear in the novel, which is less political in its terminology and interests.

In 1962, the Nobel Prize committee cited Grapes of Wrath as a "great work" and as one of the committee's main reasons for granting Steinbeck the Nobel Prize for Literature.[5]

Time Magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005.[6]

In popular culture

Adaptations

1940 film adaptation of The Grapes of Wrath

Literature

Music

References

Notes

  1. http://www.greenleft.org.au/node/8555
  2. Lisca, Peter (1958). The Wide World of John Steinbeck. Brunswick, NJ: Rutgers University Press 
  3. Cordyack, Brian. "20th-Century American Bestsellers: John Steinbeck, The Grapes of Wrath". Graduate School of Library and Information Science, University of Illinois, Urbana-Champaign. http://www3.isrl.uiuc.edu/~unsworth/courses/bestsellers/search.cgi?title=The+Grapes+of+Wrath. Retrieved 2007-02-18. 
  4. Shillinglaw, Susan; Benson, Jackson J (2002-02-02). Of Men and Their Making: The Non-Fiction Of John Steinbeck. London: Penguin. http://books.guardian.co.uk/extracts/story/0,6761,643450,00.html. Retrieved 2008-12-17 
  5. Osterling, Anders. "Nobel Prize in Literature 1962 - Presentation Speech". http://nobelprize.org/nobel_prizes/literature/laureates/1962/press.html. Retrieved 2007-02-18. 
  6. "All Time 100 Novels". Time. http://www.time.com/time/2005/100books/. Retrieved 2010-05-25. 
  7. Internet Broadway Database: The Grapes of Wrath Production Credits
  8. The Grapes of Wrath (1991) (TV)
  9. Michael Anthony, "'Grapes' is a sweet, juicy production", Minneapolis Star Tribune, 2/12/2007

Bibliography

  • Gregory, James N. "Dust Bowl Legacies: the Okie Impact on California, 1939-1989". California History 1989 68(3): 74-85. Issn: 0162-2897
  • Saxton, Alexander. "In Dubious Battle: Looking Backward". Pacific Historical Review 2004 73(2): 249-262. Issn: 0030-8684 Fulltext: online at Swetswise, Ingenta, Ebsco
  • Sobchack, Vivian C. "The Grapes of Wrath (1940): Thematic Emphasis Through Visual Style". American Quarterly 1979 31(5): 596-615. Issn: 0003-0678 Fulltext: in Jstor. Discusses the visual style of John Ford's cinematic adaptation of the novel. Usually the movie is examined in terms of its literary roots or its social protest. But the imagery of the film reveals the important theme of the Joad family's coherence. The movie shows the family in closeups, cramped in small spaces on a cluttered screen, isolated from the land and their surroundings. Dim lighting helps abstract the Joad family from the reality of Dust Bowl migrants. The film's emotional and aesthetic power comes from its generalized quality attained through this visual style.
  • Windschuttle, Keith. "Steinbeck's Myth of the Okies". The New Criterion, Vol. 20, No. 10, June 2002.
  • Zirakzadeh, Cyrus Ernesto. "John Steinbeck on the Political Capacities of Everyday Folk: Moms, Reds, and Ma Joad's Revolt". Polity 2004 36(4): 595-618. Issn: 0032-3497

External links

Awards and achievements
Preceded by
The Yearling
by Marjorie Kinnan Rawlings
Pulitzer Prize for the Novel
1940
Succeeded by
1941: no award given
1942: In This Our Life
by Ellen Glasgow